Exclusive interview with Tripat: I believe that contemporary jewelry has a unique ability to preserve heritage.

GHEIR MAGAZINE, NOV 2025
BY


What inspired you to launch Tripat, and how is your Indian heritage reflected in your design philosophy?

Tripat isn't just art or passion for me; it's a tribute to my grandmother, after whom the brand is named. She was a lover of classic and timeless jewelry, and this passion was passed down to me, remaining dormant within me like a seed. Although I studied and worked in fashion design, this seed didn't truly blossom until 2021, after completing my master's degree and working with a Dutch jewelry designer. That's when I discovered my true passion, finding myself immersed in drawing, sketching, and dreaming.
In India, heirloom jewelry is often luxurious and heavy, kept in velvet boxes and only revealed on special occasions. I love this heritage, but I wanted to reimagine it. I wanted jewelry that was both traditional and lightweight, modern, fun, and fluid. I wanted the gemstones to be free, just like the young women who would wear them. So, I designed convertible and innovative pendants and necklaces that can be mixed and matched in ways that express each woman's individuality.

How do you reconcile traditional craftsmanship with modern touches in your collections?

Tradition is an integral part of my identity, but I felt it needed to evolve. Many traditional pieces we admire remain in boxes. I wanted to reimagine these pieces for today's woman, to create jewelry I could wear now and pass down as a heirloom.
Finding artisans capable of translating this delicate balance between heritage and modernity wasn't easy. But I was fortunate to meet Kargers, who possess both inherited expertise and a forward-looking vision. They, like me, understand the value of tradition and the need to develop and share it with the world.

How do you choose the stories, symbols, or emotions that you turn into jewelry?

I love this question. To be honest, I have a huge weakness for clever stories and simple things that hold amazing tales. Take conch shells, for example. I loved collecting them like any child, but when I discovered they were a symbol of the Hindu god Vishnu, that they were used daily in rituals, and that their sound was used to announce the beginning and end of wars in ancient times… I got goosebumps. This kind of story instantly ignites my imagination and makes me want to express it through my art.

Tripat uses recycled gold and responsibly sourced gemstones. How do sustainability and ethics shape the brand's identity?

Sustainability and ethics have been integral to my beliefs for years, even before I founded Tripat. From the beginning, I knew two non-negotiable principles: to harm the earth and to treat everyone working on Tripat products with respect and fairness. Therefore, I refuse to use materials from questionable sources or to work with suppliers who lack transparency. Personally, I commute by electric bike to maintain a low carbon footprint and maintain a zero-waste household. In the future, I aspire for Tripat to become a B-Corp certified brand.

Your pieces are described as “modern, heirloom jewelry.” How do you ensure that each design holds an emotional connection for its wearer?

Jewelry becomes personal when it's connected to the feelings and experiences of its wearer. I like to give clients the space to make their pieces more personal. For example, one client who had twins had a Tulip necklace personalized with their birthstones: emerald and amethyst. Another wanted her daughter's name engraved with a small star on a Ghungroo pendant. We don't just allow these little details… we encourage them.

What does Tripat's first launch in the Middle East mean to you?

The Middle East, and Dubai in particular, is more than just a destination for me. It's a city that bridges the past and the future, where traditional souks meet skyscrapers. There could have been no better place to unveil my debut collection, a fusion of my Eastern experiences and Western sensibilities. Ironically, I lived in Dubai briefly as a child… and I've loved it ever since.

Have you adapted design elements specific to the region, or do you prefer to maintain a global character?

I find it fascinating how symbols and myths travel between cultures over time. My collection draws inspiration from multiple worlds, not just one region. While I haven't incorporated any specifically Middle Eastern elements, many of the symbols in the collection feel familiar here. For example, the Beetle pendant is inspired by the ancient Egyptian symbol of rebirth, and the Jaali necklace evokes Persian architecture. My vision is for Tripat to speak to the global woman who appreciates both modern beauty and rich heritage.

How can contemporary jewelry preserve cultural heritage and remain appealing to a global audience?

I believe that contemporary jewelry has a unique ability to preserve heritage by reinterpreting it in a way that resonates with our times. The goal is not to simply replicate the traditional form, but to retain its spirit—its meaning, symbolism, and story—while crafting a modern, flexible, and wearable design. By balancing craftsmanship with contemporary elegance, we breathe new life into our heritage